Complete List of Fujifilm Lenses
Complete list of Fujifilm lenses. This page contains all the lenses for the Fujifilm X mount. Here you will find all the brand’s lenses, as well as the most popular third-party brands that offer lenses for Fujifilm X mount. This is probably the most up-to-date Fujifilm compatible lenses you can find on the internet at the moment. New products will be added to the list regularly. With this table, you can easily access the required information such as the compatibility of your lens, filter diameter, aperture and the focal length it offers.
Whether you have purchased a cheap Fujifilm X-A3 with kit lens or a high-end body like X-T3, X-T4 , at some point you will buy a new lens and you will want to enrich your gear. As a result, if you are using a Fujifilm mirrorless camera and ask which all Fujifilm lenses are, I offer you almost all the options in two different tables.
In the first table, you can find Fujifilm ‘s original lenses for X- bayonet, X series interchangeable lens APS-c bodies ( X-T2, X-T30, X-H1 ). The second table includes lenses offered by third party lens manufacturers other than Fujifilm, or in sectoral terms. In this section , you will be able to see very nice options such as Samyang, Meike, 7Artisans, Kamlan, Viltrox with their features. If there is a lens that I skipped or you think should be in the tables, please mention it in your comments. Here is the list of Fujifilm lenses that are compatible with your Fujifilm mirrorless cameras !
Fujifilm Compatible Lenses
The table below lists original Fuji lenses with X-mount (“Fujinon”).
| Native Fujifilm X-Mount Lenses | Third Party Fujifilm X-Mount Lenses |
Native Fujifilm X-Mount Lenses
The Fujifilm X-mount is the mounting system currently used in Fujifilm’s X-Series digital mirrorless cameras with APS-c sensors. Released in 2012, the current X-Mount is constantly expanding with the release of a fully electronic mount system, new X-Mount lenses and X-series cameras from Fujifilm. X mount lenses are categorized into two special classes under the names XF and XC .
Difference Between XF and XC Lenses
XF lenses typically have higher quality, metal construction, and wider apertures. Mostly all of them are produced in Japan. XC lenses, on the other hand, have a more budget-friendly plastic construction with smaller apertures and no aperture rings. Therefore, they are smaller and lighter.
See. Fujifilm Lens Abbreviations and Meanings
| Definition | Focal length [mm] | 35 mm equivalent [mm] | Aperture range | Aperture ring | Auto focus | Image stabilization | Linear motor | Weather resistant | Release year | Other features |
|---|---|---|---|---|---|---|---|---|---|---|
| XF 8 – 16 mm F2.8 R LM WR | 8-16 | 12-24.5 | f / 2.8 | Yes | Yes | No | Yes | Yes | 2018 | |
| XF 10-24mm F4 R OIS | 10-24 | 15-37 | f / 4 | Yes | Yes | Yes | No | No | 2013 | |
| XF 10-24mm F4 R OIS WR | 10-24 | 15-37 | f / 4 | Yes | Yes | Yes | No | Yes | 2020 | Mark II version |
| XF 14mm F2.8 Right | 14 of them | 21 th | f / 2.8 | Yes | Yes | No | No | No | 2012 | |
| XC 15-45 mm F3.5-5.6 OIS PZ | 15-45 | 23-69 | f / 3.5-5.6 | No | Yes | Yes | No | No | 2018 | |
| XF 16 mm F1.4 R WR | 16 | 24.5 | f / 1.4 | Yes | Yes | No | No | Yes | 2015 | |
| XF 16 mm F2.8 Right WR | 16 | 24.5 | f / 2.8 | Yes | Yes | No | No | Yes | 2019 | |
| XC 16-50mm F3.5-5.6 OIS | 16-50 | 24.5-76.5 | f / 3.5-5.6 | No | Yes | Yes | No | No | 2013 | |
| XC 16-50mm F3.5-5.6 OIS II | 16-50 | 24.5-76.5 | f / 3.5-5.6 | No | Yes | Yes | No | No | 2015 | Mark II version |
| XF 16-55mm F2.8 R LM WR | 16-55 | 24.5-84 | f / 2.8 | Yes | Yes | No | Yes | Yes | 2015 | |
| XF 16-80 mm F4 R OIS WR | 16-80 | 24.5-122 | f / 4 | Yes | Yes | Yes | No | Yes | 2019 | |
| XF 18mm F1.4 | 18 of | 27.5 | f / 1.4 | Yes | Yes | No | No | No | announced for vssl. 2021 | |
| XF 18mm F2 R | 18 of | 27.5 | f / 2 | Yes | Yes | No | No | No | 2012 | |
| XF 18-55mm F2,8-4 R LM OIS | 18-55 | 27.5-84 | f / 2.8-4 | Yes | Yes | Yes | Yes | No | 2012 | |
| MKX 18-55mm T2.9 | 18-55 | 27.5-84 | T / 2.9 | Yes | No | Yes | 2019 | Cine lens | ||
| XF 18-135 mm F3.5-5.6 R LM OIS WR | 18-135 | 27.5-207 | f / 3.5-5.6 | Yes | Yes | Yes | Yes | Yes | 2014 | |
| XF 23mm F1.4 R | 23 | 35 | f / 1.4 | Yes | Yes | No | No | No | 2013 | |
| XF 23mm F2 R WR | 23 | 35 | f / 2 | Yes | Yes | No | No | Yes | 2016 | |
| XM-FL S 24mm F8 | 24 | 37 | f / 8 | No | No | No | No | No | 2015 | Body cap lens (“X-Slot Filter Lens”). |
| XF 27mm F2.8 | 27 | 41 | f / 2.8 | No | Yes | No | No | Yes | 2013/2021 | Pancake / Mark II |
| XC 35mm F2 | 35 | 53.5 | f / 2 | No | Yes | No | No | No | 2020 | |
| XF 33mm F1.4 R | 33 | 51.5 | f /1.4 | Yes | Yes | No | No | No | 2021 | |
| XF 35mm F1.4 R | 35 | 53.5 | f / 1.4 | Yes | Yes | No | No | No | 2012 | |
| XF 35mm F2 R WR | 35 | 53.5 | f / 2 | Yes | Yes | No | No | Yes | 2015 | |
| XF 50mm F1 R WR | 50 | 76.5 | f / 1 | Yes | Yes | No | No | Yes | 2020 | |
| XF 50 mm F2 R WR | 50 | 76.5 | f / 2 | Yes | Yes | No | No | Yes | 2017 | |
| MKX 50-135 mm T2.9 | 50-135 | 76.5-207 | T / 2.9 | Yes | No | Yes | 2019 | Cine lens | ||
| XF 50-140 mm F2.8 R LM OIS WR | 50-140 | 76.5-214 | f / 2.8 | Yes | Yes | Yes | Yes | Yes | 2014 | |
| XC 50-230 mm F4.5-6.7 OIS | 50-230 | 76.5-352 | f / 4.5-6.7 | No | Yes | Yes | No | No | 2013 | |
| XC 50-230mm F4.5-6.7 OIS II | 50-230 | 76.5-352 | f / 4.5-6.7 | No | Yes | Yes | No | No | 2015 | Mark II version |
| XF 55-200mm F3.5-4.8 R LM OIS | 55-200 | 84-306 | f / 3.5-4.8 | Yes | Yes | Yes | Yes | No | 2013 | |
| XF 56 mm F1.2 R | 56 | 86 | f / 1.2 | Yes | Yes | No | No | No | 2014 | |
| XF 56mm F1.2 R APD | 56 | 86 | f / 1.2 | Yes | Yes | No | No | No | 2014 | Apodization filter |
| XF 60mm F2.4 R Macro | 60 | 92 | f / 2.4 | Yes | Yes | No | No | No | 2012 | Macro lens , maximum magnification ratio 1: 2 |
| XF 70-300 mm F4-5.6 OIS | 70-300 | 107-459 | f / 4-5.6 | Yes | Yes | Yes | Unknown | Unknown | 2021 | |
| XF 80 mm F2.8 R LM OIS WR Macro | 80 | 122 | f / 2.8 | Yes | Yes | Yes | Yes | Yes | 2017 | Macro lens, maximum magnification ratio 1: 1 |
| XF 90 mm F2 R LM WR | 90 | 138 | f / 2 | Yes | Yes | No | Yes | Yes | 2015 | |
| XF 100-400 mm F4.5-5.6 R LM OIS WR | 100-400 | 153-612 | f / 4.5-5.6 | Yes | Yes | Yes | Yes | Yes | 2016 | |
| XF 200 mm F2 R LM OIS WR | 200 | 306 | f / 2 | Yes | Yes | Yes | Yes | Yes | 2018 |
Third Party Fujifilm X-Mount Compatible Lenses
The table below lists third party lenses for the Fujifilm X mount. If you are looking for the best, fast, manual focus Fuji X lenses today, I recommend using your choice with Rokinon / Samyang. Especially the Samyang 12mm f/2 lens is indispensable for landscape photographers in terms of price performance.
| Manufacturer | Lens Name | Focal length [mm] | 35 mm equivalent [mm] | Aperture | Auto focus | Electronic spring cover | Image stabilization | Exif data transfer | Lens structure | Descriptions | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Adriano Lolli | Pinhole lens ZOOM 32 – 46 mm X Mount Fuji mount | 32-46 | – | – | No | No | No | No | APS-C | Pinhole lens | |
| Adriano Lolli |
|
22 | – | – | No | No | No | No | APS-C | Pinhole lens | |
| Adriano Lolli | Pinhole lens, pinhole, 45 mm focal camera obscura for Fuji X mount | 45mm | – | – | No | No | No | No | APS-C | Pinhole lens | |
| 7artisans | 7Artisans 7.5mm F2.8 APS-C Fisheye Fixed Lens | 7.5 | 11.3 | f / 2.8 | No | No | No | No | APS-C | Fisheye lens with 180 ° viewing angle | |
| 7artisans | 7Artisans 12mm F2.8 APS-C Fixed Lens | 12 of them | 18 of | f / 2.8 | No | No | No | No | APS-C | View angle 102 ° | |
| 7artisans | 7Artisans 18mm F6.3 UFO Observation lens | 18 of | 27 | f / 6.3 | No | No | No | No | APS-C | Body cap lens | |
| 7artisans | 7 Artisan 25mm F1.8 Manual Focus Prime Fixed Lens | 25 of | 38 | f / 1.8 | No | No | No | No | APS-C | ||
| 7artisans | 35mm F0.95 | 35 | 53.5 | f / 0.95 | No | No | No | No | APS-C | Announced in October 2020 | |
| 7artisans | 7 Artisan 35mm F1.2 APS-C Manual Fixed Lens | 35 | 53.5 | f / 1.2 | No | No | No | No | APS-C | ||
| 7artisans | 7Artisans 50mm / F1.8 APS-C Manual Fixed Lens | 50 | 76.5 | f / 1.8 | No | No | No | No | APS-C | ||
| 7artisans | 7 Artisan 55mm / F1.4 APS-C Manual Fixed Lens | 55 | 84 | f / 1.4 | No | No | No | No | APS-C | ||
| 7artisans | 7artisans 60mm / F2.8 MACRO | 60 | 92 | f / 2.8 | No | No | No | No | APS-C | Macro lens, max. Image ratio 1: 1 | |
| Andoer | HD.MC 25 mm F1.8 | 25 of | 38 | f / 1.8 | No | No | No | No | APS-C | ||
| Andoer | HD.MC 35mm F1.6 | 35 | 53.5 | f / 1.6 | No | No | No | No | APS-C | ||
| Andoer | HD.MC 50 mm F1.8 | 50 | 76.5 | f / 1.8 | No | No | No | No | APS-C | ||
| Bilora | Voking f 2.8 / 28mm | 28 | 43 | f / 2.8 | No | No | No | No | APS-C | Pancake lens | |
| Bilora | Voking f 1.7 / 35 mm | 35 | 53.5 | f / 1.7 | No | No | No | No | APS-C | ||
| Bilora | Voking f 2.0 / 50 mm | 50 | 76.5 | f / 2.0 | No | No | No | No | APS-C | ||
| Carl zeiss | ZEISS Touit 2.8 / 12 | 12 of them | 18 of | f / 2.8 | Yes | Yes | No | Yes | APS-C | Angle of view 99 ° | |
| Carl zeiss | ZEISS Touit 1.8 / 32 | 32 | 49 | f / 1.8 | Yes | Yes | No | Yes | APS-C | ||
| Carl zeiss | ZEISS Touit 2.8 / 50M | 50 | 76.5 | f / 2.8 | Yes | Yes | No | Yes | APS-C | Macro lens, max. Image ratio 1: 1 | |
| Fun leader | Cover Lens 18mm f / 8 | 18 of | 27.5 | f / 8 | No | No | No | No | Full format | Body cap lens | |
| Kamlan | 8mm F / 3.0 fisheye | 8 | 12 of them | f / 3.0 | No | No | No | No | APS-C | Fisheye lens with 180 ° viewing angle | |
| Kamlan | 15mm F / 2.0 APS-C | 15 | 23 | f / 2.0 | No | No | No | No | APS-C | Announced entry for 2020 | |
| Kamlan | 21mm F1.8 | 21 th | 32 | f / 1.8 | No | No | No | No | APS-C | ||
| Kamlan | 28mm F / 1.4 | 28 | 43 | f / 1.4 | No | No | No | No | APS-C | ||
| Kamlan | 50 mm F / 1.1 | 50 | 76.5 | f / 1.1 | No | No | No | No | APS-C | ||
| Kamlan | 50 mm F / 1.1 Mark 2 | 50 | 76.5 | f / 1.1 | No | No | No | No | APS-C | Introduced in 2019 | |
| Kipon | Iberite 24mm f / 2.4 | 24 | 37 | f / 2.4 | No | No | No | No | APS-C | ||
| Kipon | Iberite 35mm f / 2.4 | 35 | 53.5 | f / 2.4 | No | No | No | No | APS-C | ||
| Kipon or HanDeVision | Ibelux 40 / 0.85 | 40 | 61 | f / 0.85 | No | No | No | No | APS-C | Currently the brightest lens for APS-C format | |
| Kipon or HanDeVision | Ibelux 40 / 0.85 Mark II | 40 | 61 | f / 0.85 | No | No | No | No | APS-C | Currently the brightest lens for the APS-C format, 2nd generation | |
| Kipon | Iberite 50mm f / 2.4 | 50 | 76.5 | f / 2.4 | No | No | No | No | APS-C | ||
| Kipon | Iberite 75mm f / 2.4 | 75 | 115 | f / 2.4 | No | No | No | No | APS-C | ||
| Kipon | Iberite 90mm f / 2.4 | 90 | 138 | f / 2.4 | No | No | No | No | APS-C | ||
| Lensbaby | Lensbaby Circular Fisheye Fuji X | 5.8 | 8.7 | f / 3.5 | No | No | No | No | APS-C | Fisheye lens with 185 ° angle of view, close focal limit 6 mm | |
| Lensbaby | Lensbaby Trio 28 Fuji X | 28 | 43 | f / 3.5 | No | No | No | No | Full format | Multiple creative options (Twist, Velvet, Sweet) | |
| Lensbaby | Lensbaby Composer Pro II incl.Sweet 35 Optic Fuji X | 35 | 53.5 | f / 2.5 | No | No | No | No | Full format | Effect lens (scroll) | |
| Lensbaby | Lensbaby Burnside 35 Fuji X | 35 | 53.5 | f / 2.8 | No | No | No | No | Full format | Effect lens | |
| Lensbaby | Lensbaby Sol 45 Fuji X | 45 | 69 | f / 3.5 | No | No | No | No | APS-C | Curved lens | |
| Lensbaby | Lensbaby Composer Pro II including Sweet 50 Optical Fuji X | 50 | 76.5 | f / 2.5 | No | No | No | No | APS-C | Effect lens (scroll) | |
| Lensbaby | Lensbaby Composer Pro II including Edge 50 Optical Fuji X | 50 | 76.5 | f / 3.2 | No | No | No | No | Full format | Effect lens (scroll) | |
| Lensbaby | Lensbaby Velvet 56 Fuji X | 56 | 86 | f / 1.6 | No | No | No | No | Full format | Effect lens, macro lens, max. Image ratio 1: 2 | |
| Lensbaby | Lensbaby Velvet 85 Fuji X | 85 | 130 | f / 1.8 | No | No | No | No | APS-C | Effect lens, macro lens, max. Image ratio 1: 2 | |
| Lensbaby | Lensbaby Composer Pro II incl.Sweet 80 Optical Fuji X | 80 | 122 | f / 2.8 | No | No | No | No | Full format | Effect lens (scroll) | |
| Meike | MK-6.5mm F2.0 fisheye | 6.5 | 10 | f / 2.0 | No | No | No | No | APS-C | Fisheye lens with 190 ° field of view | |
| Meike | MK-8mm F3.5 fisheye | 8 | 12 of them | f / 3.5 | No | No | No | No | Full format | Fisheye lens with 200 ° viewing angle | |
| Meike | MK-12mm F2.8 | 12 of them | 18 of | f / 2.8 | No | No | No | No | APS-C | Angle of view 99 ° | |
| Meike | MK-25MM F / 1.8 | 25 of | 38 | f / 1.8 | No | No | No | No | APS-C | ||
| Meike | MK-25mm T2.2 Manual Focus Cinema lens | 25 of | 38 | T / 2.2 | No | No | No | No | APS-C | Cine lens | |
| Meike | MK-28mm F2.8 | 28 | 43 | f / 2.8 | No | No | No | No | APS-C | ||
| Meike | MK-35mm F1.4 | 35 | 53.5 | f / 1.4 | No | No | No | No | APS-C | ||
| Meike | MK-35mm F1.7 | 35 | 53.5 | f / 1.7 | No | No | No | No | APS-C | ||
| Meike | MK-50mm F / 1.7 | 50 | 76.5 | f / 1.7 | No | No | No | No | Full format | ||
| Meike | MK-50mm F2.0 | 50 | 76.5 | f / 2.0 | No | No | No | No | APS-C | ||
| Meike | MK-85mm F / 2.8 Macro | 85 | 130 | f / 2.8 | No | No | No | No | Full format | Macro lens, max. Image ratio 1: 1.5 | |
| Neewer | 35mm f1.2 | 35 | 53.5 | f / 1.2 | No | No | No | No | APS-C | ||
| Neewer | 35mm f1.7 | 35 | 53.5 | f / 1.7 | No | No | No | No | APS-C | ||
| NiSi | f / 4 Sunstar | 35 | 53.5 | f / 4 | No | No | No | No | Full format | ||
| Opteka | F2 / 6.5 | 6.5 | 10 | f / 2.0 | No | No | No | No | APS-C | Fisheye lens | |
| Opteka | F2.8 / 12 | 12 of them | 18 of | f / 2.8 | No | No | No | No | APS-C | ||
| Opteka | F2.8 / 28 | 28 | 43 | f / 2.8 | No | No | No | No | APS-C | ||
| Opteka | F1.7 / 35 | 35 | 53.5 | f / 1.7 | No | No | No | No | APS-C | ||
| Opteka | F2.0 / 50 | 50 | 76.5 | f / 2.0 | No | No | No | No | APS-C | ||
| Pergear | 7.5mm f2.8 | 7.5 | 11.5 | f / 2.8 | No | No | No | No | APS-C | Fisheye lens | |
| Pergear | 12mm f2 | 12 of them | 18 of | f / 2 | No | No | No | No | APS-C | ||
| Pergear | 25mm f1.8 | 25 of | 39 | f / 1.8 | No | No | No | No | APS-C | ||
| Pergear | 35mm f1.2 | 25 of | 53.5 | f / 1.2 | No | No | No | No | APS-C | Introduced in August 2020 | |
| Pergear | 35mm f1.6 | 25 of | 53.5 | f / 1.6 | No | No | No | No | APS-C | ||
| Pergear | 50mm f1.8 | 25 of | 76.5 | f / 1.8 | No | No | No | No | APS-C | ||
| Soaring spray | 7.5mm f2.8 fisheye | 7.5 | 11.3 | f / 2.8 | No | No | No | No | APS-C | Fisheye lens | |
| Soaring spray | 35mm f / 0.95 Mark III | 35 | 53.5 | f / 0.95 | No | No | No | No | APS-C | ||
| Soaring spray | 35mm f / 1.2 | 35 | 53.5 | f / 1.2 | No | No | No | No | APS-C | ||
| Rock star | 10mm F8 Ultra Wide Angle Fisheye | 10 | 15 | f / 8 | No | No | No | No | APS-C | Pancake fisheye lens | |
| SainSonic | Zonlai 22 mm F1.8 | 22 of them | 33.5 | f / 1.8 | No | No | No | No | APS-C | ||
| Samyang | 8mm F2.8 UMC Fisheye II | 8 | 12 of them | f / 2.8 | No | No | No | No | APS-C | Fisheye lens with 180 ° viewing angle | |
| Samyang | 8mm F3.5 UMC Fisheye CS II | 8 | 12 of them | f / 3.5 | No | No | No | No | APS-C | Fisheye lens, 180 ° viewing angle. Also available in a “DH” version (removable sun visor) for cameras with full format sensor. | |
| Samyang | 8mm T3.1 Cine UMC FISH-EYE II | 8 | 12 of them | T / 3.1 | No | No | No | No | APS-C | Cine – fisheye lens; Viewing angle 180 ° | |
| Samyang | 8mm T3.8 VDSLR UMC Fisheye CS II | 8 | 12 of them | T / 3.8 | No | No | No | No | APS-C | Cine – fisheye lens; Viewing angle 180 ° | |
| Samyang | 10mm F2.8 ED AS NCS CS | 10 | 15.5 | f / 2.8 | No | No | No | No | APS-C | Angle of view 109.5 ° | |
| Samyang | 10mm T3.1 VDSLR ED AS NCS CS II | 10 | 15.5 | T / 3.1 | No | No | No | No | APS-C | Cinema lens; Angle of view 109.5 ° | |
| Samyang | 12 mm F2.0 NCS CS | 12 of them | 18 of | f / 2.0 | No | No | No | No | APS-C | View angle 98.9 ° | |
| Samyang | 12mm T2.2 Cine NCS CS | 12 of them | 18 of | T / 2.2 | No | No | No | No | APS-C | Cinema lens; View angle 98.9 ° | |
| Samyang | 12mm F2.8 ED AS NCS FISH EYE | 12 of them | 18 of | f / 2.8 | No | No | No | No | Full format | Fisheye lens, angle of view 124.6 ° | |
| Samyang | 12mm T3.1 VDSLR ED AS NCS FISH EYE | 12 of them | 18 of | T / 3.1 | No | No | No | No | Full format | Cine – fisheye lens; View angle 124.6 ° | |
| Samyang | 14mm F2.8 ED AS UMC | 14 of them | 21.5 | f / 2.8 | No | No | No | No | Full format | Angle of view 93.9 ° | |
| Samyang | 14mm T3.1 VDSLR ED AS IF UMC II | 14 of them | 21.5 | t / 3.1 | No | No | No | No | Full format | Cine lens | |
| Samyang | VDSLR 14 mm T3.1 Mk2 | 14 of them | 21.5 | t / 3.1 | No | No | No | No | Full format | Announced for Q1 / 2021; Cine lens | |
| Samyang | MF 14mm F2.8 MK2 | 14 of them | 21.5 | f / 2.8 | No | No | No | No | Full format | Weatherproofing, focus lock, aperture ring with click / click function | |
| Samyang | 16mm F2.0 ED AS UMC CS | 16 | 24.5 | f / 2.0 | No | No | No | No | APS-C | View angle 83.1 °. Linear mapping, low distortion | |
| Samyang | 16mm T2.2 VDSLR ED AS UMC CS II | 16 | 24.5 | t / 2.2 | No | No | No | No | APS-C | Cine lens | |
| Samyang | 16mm T2.6 ED AS UMC | 16 | 24.5 | t / 2.6 | No | No | No | No | Full format | Cine lens | |
| Samyang | 20mm F1.8 ED AS UMC | 20 of them | 30.5 | f / 1.8 | No | No | No | No | Full format | ||
| Samyang | 20mm T1.9 ED AS UMC | 20 of them | 30.5 | t / 1.9 | No | No | No | No | Full format | Cine lens | |
| Samyang | 21mm F1.4 ED AS UMC CS | 21 th | 32 | f / 1.4 | No | No | No | No | APS-C | ||
| Samyang | 21mm T1.5 ED AS UMC CS | 21 th | 32 | t / 1.5 | No | No | No | No | APS-C | Cine lens | |
| Samyang | 24mm F1.4 ED IF UMC | 24 | 37 | f / 1.4 | No | No | No | No | Full format | ||
| Samyang | VDSLR 24 mm T1.5 Mk2 | 24 | 37 | t / 1.5 | No | No | No | No | Full format | Cine lens | |
| Samyang | SLOPE / REPLACE LENS 24mm F3.5 ED AS UMC | 24 | 37 | f / 3.5 | No | No | No | No | Full format | Tilt and shift lens | |
| Samyang | 35mm F1.2 ED AS UMC CS | 35 | 53.5 | f / 1.2 | No | No | No | No | APS-C | ||
| Samyang | 35mm T1.3 AS UMC CS | 35 | 53.5 | t / 1.3 | No | No | No | No | APS-C | Cine lens | |
| Samyang | 35mm F1.4 AS UMC | 35 | 53.5 | f / 1.4 | No | No | No | No | Full format | ||
| Samyang | VDSLR 35mm T1.5 Mk2 | 35 | 53.5 | t / 1.5 | No | No | No | No | Full format | Cine lens | |
| Samyang | 50mm F1.2 AS UMC CS | 50 | 76.5 | f / 1.2 | No | No | No | No | APS-C | ||
| Samyang | 50mm T1.3 AS UMC CS | 50 | 76.5 | t / 1.3 | No | No | No | No | APS-C | Cine lens | |
| Samyang | 50mm F1.4 AS UMC | 50 | 76.5 | f / 1.4 | No | No | No | No | Full format | ||
| Samyang | VDSLR 50 mm T1.5 Mk2 | 50 | 76.5 | t / 1.5 | No | No | No | No | Full format | Cine lens | |
| Samyang | 85 mm F1.8 ED UMC CS | 85 | 130 | f / 1.8 | No | No | No | No | APS-C | ||
| Samyang | 85mm F1.4 AS UMC | 85 | 130 | f / 1.4 | No | No | No | No | Full format | ||
| Samyang | MF 85mm F1.4 MK2 | 85 | 130 | f / 1.4 | No | No | No | No | Full format | Weather protection, click / click bezel ring | |
| Samyang | 85mm T1.5 VDSLR IF UMC II | 85 | 130 | t / 1.5 | No | No | No | No | Full format | Cine lens | |
| Samyang | VDSLR 85mm T1.5 Mk2 | 85 | 130 | t / 1.5 | No | No | No | No | Full format | Cine lens | |
| Samyang | 100 mm F2.8 ED UMC MACRO | one hundred | 153 | f / 2.8 | No | No | No | No | Full format | ||
| Samyang | 100mm T3.1 VDSLR ED UMC MACRO | one hundred | 153 | t / 3.1 | No | No | No | No | Full format | Cine – Macro Lens, maximum magnification ratio 1: 1. | |
| Samyang | 135 mm F2.0 ED UMC | 135 | 207 | f / 2.0 | No | No | No | No | Full format | ||
| Samyang | 135 mm T2.2 VDSLR ED UMC | 135 | 207 | t / 2.2 | No | No | No | No | Full format | Cine lens | |
| Samyang | 300 mm F6.3 ED UMC CS | 300 | 459 | f / 6.3 | No | No | No | No | APS-C | Mirror lens lens. Also available in a version for full frame cameras. | |
| Sirui | 50mm f1.8 anamorphic lens | 50 | 76.5 | f / 1.8 | No | No | No | No | APS-C | Anamorphic, compression ratio 1.33. It can be recorded in 2.4: 1 format. | |
| Skink | Pinhole Pancake Fujifilm FX 15mm | 15 | 23 | f / 87 | No | No | No | No | APS-C | Pin hole lens – Pin hole. Hole diameter: 0.173mm. Alternative hole bits are available. | |
| Skink | Pinhole Pancake Fujifilm FX 18mm | 18 of | 27.5 | f / 95 | No | No | No | No | APS-C | Pinhole lens. Opening diameter: 0.189 mm. Alternative hole bits are available. | |
| Skink | Pinhole Pancake Fujifilm FX 24mm | 24 | 37 | f / 110 | No | No | No | No | APS-C | Pinhole lens. Opening diameter: 0.218 mm. Alternative hole bits are available. | |
| SLR Magic | MicroPrime CINE 1228X | 12 of them | 18 of | t / 2.8 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | MicroPrime CINE 1828X | 18 of | 27.5 | t / 2.8 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | MicroPrime CINE 2515X | 25 of | 38 | t / 1.5 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | HyperPrime CINE II 3595X | 35 | 53.5 | T0.95 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | MicroPrime CINE 3513X | 35 | 53.5 | t / 1.3 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | CINE 3514X | 35 | 53.5 | t / 1,4 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | MicroPrime CINE 5012X | 50 | 76.5 | t / 1.2 | No | No | No | No | APS-C | Cine lens | |
| SLR Magic | MicroPrime CINE 7515X | 75 | 115 | t / 1.5 | No | No | No | No | APS-C | Cine lens | |
| Thingyfy | Pinhole Pro S | 11th | 16.8 | k. A. | No | No | No | No | APS-C | Pinhole lens. Opening diameter: 0.14 mm. | |
| Thingyfy | Pinhole Pro | 26. | 40 | k. A. | No | No | No | No | APS-C | Pinhole lens. The aperture diameter varies between 0.1 and 0.8 mm. | |
| Tokina | atx-m 1,4 / 23 mm X | 23 | 35 | f / 1.4 | Yes | Yes | No | Yes | APS-C | Introduced in December 2020 | |
| Tokina | atx-m 1,4 / 33 mm X | 33 | 50.5 | f / 1.4 | Yes | Yes | No | Yes | APS-C | Introduced in December 2020 | |
| Tokina | atx-m 1,4 / 56 mm X | 56 | 86 | f / 1.4 | Yes | Yes | No | Yes | APS-C | Announced | |
| TT Artisan | 35mm F1.4 | 35 | 53.5 | f / 1.4 | No | No | No | No | APS-C | ||
| TT Artisan | 50 mm F0.95 | 50 | 76.5 | f / 0.95 | No | No | No | No | APS-C | Announced or limited edition | |
| TT Artisan | 50 mm F1.2 | 50 | 76.5 | f / 1.2 | No | No | No | No | APS-C | Released in December 2020 | |
| Veledge | 32mm F / 1.6 | 32 | 49 | f / 1.6 | No | No | No | No | APS-C | ||
| Veledge | 35mm F / 1.2 | 35 | 53.5 | f / 1.2 | No | No | No | No | APS-C | ||
| Venus Optics | Laowa 9mm f / 2.8 Zero-D | 9 | 13.5 | f / 2.8 | No | No | No | No | APS-C | Currently the smallest linear (gnomonic) viewing focal length (viewing angle 113 °) for the APS-C format; low distortion | |
| Venus Optics | Laowa 9mm T2.9 Zero-D Cine | 9 | 13.5 | t / 2.9 | No | No | No | No | APS-C | Linear (gnomonic) imaging super wide angle cine lens, low distortion, viewing angle 113 °, near focal limit 12 cm. It was introduced in 2020. | |
| Venus Optics | Laowa 65mm f / 2.8 Ultra Macro APO | 65 | 99.5 | f / 2.8 | No | No | No | No | APS-C | Apochromatic macro lens, maximum Aspect ratio 2: 1 APS-C version of the Laowa 100mm Ultra Macro APO f / 2.8. | |
| Viltrox | XF 13mm f1.4 | 13 | 20 of them | f / 1.4 | Yes | Yes | No | Yes | APS-C | Announced in early 2021 | |
| Viltrox | AF 23mm F1.4 STM ED IF | 23 | 35 | f / 1.4 | Yes | Yes | No | Yes | APS-C | Introduced in April 2020 | |
| Viltrox | AF 33mm F1.4 STM ED IF | 33 | 50.5 | f / 1.4 | Yes | Yes | No | Yes | APS-C | Introduced on April 15, 2020 | |
| Viltrox | AF 56mm F1.4 STM ED IF | 56 | 86 | f / 1.4 | Yes | Yes | No | Yes | APS-C | Introduced in September 2020 | |
| Viltrox | PFU RBMH 85mm F1.8 STM | 85 | 130 | f / 1.8 | Yes | Yes | No | Yes | Full format | No diaphragm ring | |
| Viltrox | AF 85mm F1.8 STM ED IF Mark II | 85 | 130 | f / 1.8 | Yes | Yes | No | Yes | APS-C | No diaphragm ring | |
| William Optics | RedCat 51 APO 250mm f / 4.9 | 250 | 383 | f / 4.9 | No | No | No | No | Full format | Apochromatic refractor. Manufacturer’s own camera adapter. | |
| Zhongyi Optics | Mitakon Speedmaster 20 mm f / 2 | 20 of them | 30.5 | f / 2 | No | No | No | No | Full format | Magnifying lens, max. Aspect ratio 4.5: 1. Compact design, short working distance (compare with Venus Optics Laowa 25mm f / 2.8 2.5-5X Ultra Macro and Canon MP-E 65mm f / 2.8 1-5x Macro Photo). | |
| Zhongyi Optics | Mitakon Speedmaster 35mm f / 0.95 | 35 | 53.5 | f / 0.95 | No | No | No | No | APS-C | ||
| Zhongyi Optics | Mitakon Speedmaster 35mm f / 0.95 Mark II | 35 | 53.5 | f / 0.95 | No | No | No | No | APS-C | ||
| Zhongyi Optics | Mitakon Creator 85mm f / 2.8 1-5 × Super Macro | 85 | 130 | f / 2.8 | No | No | No | No | Full format | Magnifying lens, max. Aspect ratio 5: 1. Wide working distance (230mm for 1 ×, 95mm for 5 ×) |
Best Lenses for Fujifilm X-T30
Recommended camera settings for the Fujifilm X-T3
This is the complete list of Fujifilm lenses. I hope you have benefited from the lenses that are compatible with the Fujifilm mirrorless cameras. If there are lenses that you are in a dilemma at the time of purchase and cannot decide, you can specify in your comments.
